In collaboration with Bristol-based tech startup Interactive Scientific, more than 37,000 people had the chance to experience the acclaimed real-time interactive molecular dynamics art installation ‘danceroom Spectroscopy’ (dS) at the ‘We the Curious’ science museum in central Bristol.
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Good news! I was recently informed that I’ve been selected as the recipient of the 10th “Silver Jubilee” award from the molecular graphics and modelling society (MGMS), which aims to recognize contributions to the field of molecular modelling and related areas. As part of this prize, I will be invited to give a series of prize lectures. Further details to follow.
Chemistry World, published by the Royal Society of Chemistry, has run a little feature outlining research progress we’ve been making as we explore real-time molecular simulation in virtual reality. The article tagline is brilliant: “Gaming-style tech is putting the fun into fundamental molecular simulations”. I love that. You can look at the article here.
During the first week of October, I attended the Oracle Open World conference in San Francisco, where I was invited to give a talk entitled “Collaborative Cloud-Based Virtual Reality for Scientific Research & Education”.
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On 17th June, Lisa May Thomas and I led a workshop at Modern Art Oxford entitled “Sculpting the Invisible World”. The work was part of the gallery’s ‘Future Knowledge’ program of events, curated by Emma Ridgway, and photographed by Stu Allsop. Using a pioneering multi-person virtual reality software framework, visitors were invited to interact within a virtual landscape as embodied energy fields. Methods from rigorous computational molecular physics and real-time digital rendering allowed digitally embodied participants to sculpt the dynamics of a simulated molecular nano-world, for example deforming buckminsterfullerene molecules, passing them back and forth, threading methane molecules through a carbon nanotube, and tying knots in proteins.
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David Glowacki 